Narration The Killing - Stanley Kubrick Obsession Johnny Guitar - Nicholas Ray Realistic Urban Settings The Asphalt Jungle - John Huston Snappy Dialogue Double Indemnity - Billy Wilder The Big Sleep - Howard Hawks 1945 PreRelease Version 1946 Release Version Violence Kiss of Death - Henry Hathaway Wet T-Men - Anthony Man Femme Fatale Kiss Me Deadly - Robert Aldrich 666 Soviet Cinema Pretty derivative before the revolution 1919 Film comes under government control Happy Accidents Lack of raw film stock 1919 Intolerance 1922 La Rou Lev Kuleshov Workshops Experiments “Pure” Cinema Ivan Mozhukin Creative Geography aka Artificial Landscape Creative Anatomy Editing Narrative Cut Flashback/Flash Forward Thinking Cross Cut Intellectual Cut Metaphorical aka Associational Cut Contrast Cut Parallel Cut Emotional Cut Rhythmic Cut Tonal Cut Form Cut Directional Cut The most interesting cuts work on narrative, intellectual and emotional levels all at once. Sergei Mikhailovich Eisenstein 4 February 1898 - Riga Lativa Father affluent architect Joins White Army Begins as an engineer for the Red Army 1920 Set Designer for Vsevolod Meyerhold 1923 First film - Dnevnik Glumova - Glumov’s Diary 1924 Stachka - Strike 1925 Bronenosets Potemkin - Battleship Potemkin Odessa Steps Terry Gilliam Brian DePalma 1930's sent to US to learn about sound Albert Einstein, Abel Gance, Charlie Chaplin, Walt Disney, D. W. Griffith, Robert Flaherty and Upton Sinclair Que Viva Mexico 1932 Accused of “Formalism” 1938 Alekzandr Nvesky 1945 Ivan Grozny I, II & III 11 February 1948 - Heart Attack Vsevolod I. Pudovkin “The foundation of film art is editing” 16 February 1893 1925 Chess Fever 1926 Mechanics of the Brain - Documentary on Pavlov 1926 Mother Eisenstein focused on the power of the masses Pudovkin focused on the courage of the individual 1928 Storm Over Asia - Heir to Genghis Khan 30 June 1953