Films: Abbott and Costello Meet Frankenstein Akira Kurosawa’s Dreams Alekzandr Nvesky Brazil Bronenosets Potemkin Creature from the Black Lagoon Der Golem Entr’acte Fistful of Dollars Frankenstein Grand Illusion Hidden Fortress Ivan Grozny I, II & III J’accuse Last Man Standing La Roue Mother Napoleon Rashomon Seven Samurai Stachka The Magnificent Seven The Passion of Joan of Arc The Mummy The Rules of the Game The Bride of Frankenstein The Wolfman The Invisible Man The Maltese Falcon Touch of Evil Un Chien andalou Untouchables Yojimbo Terms: “Pure” Cinema 180 degree rule Benshi Creative Geography aka Artificial Landscape Creative Anatomy Dada Diegetic Editing Narrative Cut Flashback/Flash Forward Intellectual Cut Metaphorical aka Associational Cut Emotional Cut Experimental Films Film Noir Characteristics Alienated Protagonist Chiaroscuro Lighting Cigarettes Complex Chronology Perp Perspective Existential Fatalistic Narration Obsession Realistic Urban Settings Snappy Dialogue Violence Wet Femme Fatale Non Diegetic Steamboat Willie Surrealism People: Abel Gance Akira Kurosawa Carl Theodor Dreyer James Whale Jasujiro Ozu Jean Renoir John Sturges Karl W. Freund Lev Kuleshov Luis Buñuel Man Ray Orson Welles René Clair Salvador Dali Sergei Mikhailovich Eisenstein Sergio Leone Terry Giliam Vsevolod I. Pudovkin Example Questions: Directed “Alekzandr Nvesky” A. Sergio Leone B. Akira Kurosawa C. John Sturges D. Sergei Eisenstein E. Abel Gance A nihilistic art movement that flourished in Europe in the early 20th century; based on irrationality and negation of the accepted laws of beauty. A. Dadaism B. Montage of Attractions C. Linkage D. Surrealism E. Tryptch One of the impetuses behind the new Millennium Copyright was that this character was about to enter the public domain. A. Mickey Mouse B. Minnie Mouse C. Donald Duck D. Gerti The Dinosaur E. Steamboat Willie Sound that has a logical reason for being in the world of the actors, like music being heard from a radio on a table in the shot is called? A. RF B. Artificial Sound C. Non-artificial Sound D. Diegetic Sound E. Non-diegetic Sound